They say the first step is acknowledging you have a problem. In eight months this year, I’ve been to nine writer conferences and/or workshops. There, I’ve said it. I may be addicted to writerly things. Yes, I may be addicted to meeting other writers and learning from them or, more importantly, becoming friends with them. Yes, I may be addicted to picking up information or techniques to improve my writing. Yes, I may be addicted to making my craft, well, more artful. Yes, folks, I’ve got it bad, and I gotta have my fix.
What am I going to do about it?
Not a bloody thing. I think this is one addiction we can overlook.
On Friday I got an email from WriterHouse in Charlottesville, VA. (I’ve written about this writer’s space before–a great place to write and a great provider of one or two-day or even longer workshops.) They had openings for a one-day workshop on Saturday–”Ready, Aim: Firearms in Fiction.”
Okay, a little diversion here. If you abhor guns and think they’re the physical manifestation of evil, don’t read any further, and have a nice day.
I read the description, and, even though I have a good familiarity with firearms and gun safety, I thought, “Why not?” As one of the workshop attendees, who is a gun safety instructor said, “You always learn something new.”
This turned out to be the kind of workshop I really like to attend–one where you bring work to be critiqued and where you get writing exercises. Thanks to the workshop instructor, Betty Joyce Nash, and the other attendees, it was a great day learning about the importance of fitting a weapon to a character and how to research to make certain you get the details right. Three of us were very knowledgeable about gun safety and the mechanics of guns. The third was a novice, who left the workshop ready to go to a gun range and get some instruction in safety.
Even the three writing exercises were informative. First, we selected a picture of a person from a collection supplied by Ms. Nash, then we had to write a bio or expository scene about the person in the picture and include a gun. After reading aloud and critiquing each other’s work, we went over some examples from literature where authors included guns in their work, how successful they were, and whether the gun was necessary or superfluous to the story.
The second writing exercise involved keeping in mind the bio/expository scene we’d written before while we wrote about the first time we each became aware of guns. Again, we read what we’d written aloud and critiqued each other’s work. Another workshopper and I decided to directly link the two exercises, and it became obvious we both had stories in the works.
After lunch, we each read a portion from the stories we’d brought with us–the story had to involve a gun, easy for me, since I mostly write about spies–and critiqued them. I had the efficacy of these workshops proved to me when I finished reading my excerpt and another participant said, “I want to read the rest of that!”
Finally, we had the third, free-writing exercise–two people arguing about money with a gun in the room. (And I forgot to mention, the instructor also participated in these exercises, and we got to hear and critique her work as well. I liked the fact she didn’t set herself apart.) Then, we had a free-ranging Q&A about guns and about writing and publishing. I’m so glad my schedule is flexible enough to able to do last minute writing things like this.
Again, if you’re close to Charlottesville, check out WriterHouse. It’s very inexpensive to join and has different kinds of memberships so you can get exactly what you need from them. I know I certainly do.