On Sunday evening we had our orientation and meeting with our instructors, after a tasty dinner, dessert, and wine. Yeah, this is my kind of workshop.
One thing is clear: Fred Leebron is going to challenge us in the Advanced Novel workshop, and that’s what we’re here for. Our “homework” is to spend thirty minutes tomorrow morning thinking about the novel project we submitted an excerpt of and to ask ourselves two questions about it: How much is it taking on, and what are we leaving unasked?
All fine and good. I do this sort of thing all the time and make notes. Fred’s twist? We’re to think about it for thirty minutes without writing or making notes. After thirty minutes we can write away. The “thinking” should be about the whole book, not just the excerpt. An interesting concept, and I know it will be hard for me not to pick up a pen for thirty minutes. Oh, and during that thirty minutes–no music, no radio, no internet, no video streaming, just thinking. Oy!
He’s also leaving us wondering about the order in which we’ll be critiqued. Last year I wondered why I was last. This year it’s a different fretting, then–when will I be critiqued. Trust me, there’s always something to fret about.
Tomorrow’s craft seminar features Pinckney Benedict (my instructor from last year), and his topic will be “From Page to Screen,” or taking a story and adapting it for film. In the past year, one of his stories, “Miracle Boy,” was made into a film, so it will be interesting to see how he adapted it.
The actual workshop starts in the afternoon, except again Fred is turning it upside down. No one will be critiqued Monday afternoon. We’ll introduce ourselves, discuss craft, and ask questions. There are seven in this workshop, including yours truly, and an auditor/observer. So, I think the discussions will be lively. It also means I need to get reading everyone else’s manuscript.
This year I couldn’t wait to get here, and I’m excited to get this party, I mean, workshop started.