Here I am, an indie author begging again.
I have a newsletter where you can learn more about what inspires me, get excerpts of my upcoming works, and learn a thing or two about the world of espionage. I won’t fill your inbox with countless emails; it comes out twice a month–and you can always opt out once you sign up.
To sign up for SECRET BRIEFINGS, click here.
Oh, and if you sign up for SECRET BRIEFINGS between now and the end of the year, I’ll send you a free paperback copy of a short story. You can choose from one of four:
“Spymaster” – The heads of two intelligence organizations clash in a mini-Cold War.
“Blood Cover” – Mai Fisher talks a doctor into marrying a man she doesn’t love so Mai can have access to his secrets.
“Best Served Cold” – Computer guru Nathan Hempstead loses his son in an horrific manner, but his hot anger becomes cold revenge.
“Brave New World” – A U.S. president wants help fixing an election, but Mai Fisher refuses, something she may come to regret.
In addition to my Facebook Author Page, I’ve also started a new Facebook Group called “Readers Who Love Real Spies with Real Lives.” If you join, we’ll talk about books and movies in the genre, with an emphasis on those with strong, female protagonists.
There’ll be posts to stimulate conversation and some fun things, too, like “What Would Your KGB Code Name?”
It’s free and fun, and you can join on the group page itself.
CELEBRATING MY NANOWRIMO WIN
This year I won my tenth NaNoWriMo and what better way to celebrate than to put some of my books on sale.
From November 28 through November 30, you can get the ebook of Blood Vengeance and The Better Spy for 99 cents.
From November 28 through November 29, the ebook of Spy Flash II will be 99 cents.
Any of these three books are a great introduction to my canon of works about “real spies with real lives.” Definitely money well spent.
You can buy them by clicking here.
Okay, done begging. For now. 😉
It’s been a busy November, as it always is with NaNoWriMo. This year, however, I was co-municipal liaison for the Shenandoah Valley Region, with some added responsibilities, like write-ins (online and in-person) and cheerleading. On top of that, I made some changes to how my ebooks are sold, and there’s the whole holiday thing.
I passed 50,000 words on November 17 and officially validated my win on November 24. This year’s NaNoWriMo was my first as a co-municipal liaison for my region, Shenandoah Valley. I had a lot of fun, met some great writers online and in person, and hope to do it again.
My project this year was a bit different from my usual work. It takes place present day, instead of in the past. And a couple of interesting and unplanned things happened–NaNoWriMo just does that.
First, I reached the logical conclusion the existence of my super-secret, fictional intelligence organization, The Directorate, needed to be acknowledged. Without spoilers, I’ll simply quote one of my characters, Alexei Bukharin, “The time for that secret is over.” That freshens things up a bit and adds a new protocol to any further stories about it.
Second, I created a character initially for perhaps two or three scenes. I had no intention of making her a permanent character at all. Remember, your NaNoWriMo project is a rough draft. I’ve removed whole threads of plots and characters in subsequent edits. However, as I was writing what I thought was the character’s final appearance, my other character, Mai Fisher, and I recognized something interesting: This character deserved to have a future.
Enter into my canon, Cybill Fleming. For now, all I know about her is she’s a Directorate operative-in-training and that Mai Fisher spotted something of herself in Cybill. This coming year while I work on publishing two books (Books One and Two of A Perfect Hatred), I’ll be fleshing Cybill Fleming out a lot more. Stay tuned.
As of today, this year’s NaNoWriMo project stands at 70,776. Four days to go and four more planned scenes. I like it when a plan comes together!
No, not talking about a football play or race cars passing each other. Last month I decided to take all ten of my published ebooks out of exclusive Amazon distribution. After seeing the success others had had using a service called Draft2Digital, I decided to give it a try. Coincidentally, two of my ebooks were nearing their automatic KDP Select renewal, so I “unchecked the box” and a few days later uploaded Spy Flash and Who Watches the Watchmen? to D2D. An easy process over all, though formatting was an issue in places. That is, you can’t simply take the Kindle version file and upload it; you have to make certain the formatting imbedded in the file doesn’t glitch. I’m pleased with D2D and its ease of use and may use it for the release of my second novel next April.
Not long after, three more ebooks were due to automatically renew in KDP Select. I unchecked those boxes too. Now, the ebooks of my novellas My Noble Enemy and The Yellow Scarf, as well as my first novel, A War of Deception, have wider distribution.
Some of the places where the ebooks will appear are Kobo, iBooks, Barnes&Noble, SCRIBD, among others. You can also purchase ePub versions of these five books via PayPal right here on my web site. From the home page, look for the tab, “Shop for Books.”
Let me say, I have nothing at all against Amazon’s distribution of my paperbacks and ebooks. KDP Select is optional; however, it is one of those “opt in” processes with an automatic renewal unless you take a physical action to change it.
As with the new directions my NaNoWriMo projects took me with my characters, my other books will be going off in new directions as well.
Change is scary but good.
No flames please. December happens to be the month where a lot of religions celebrate winter holidays. Unlike KDP Select, I don’t want to be exclusive, rather inclusive.
I’m not a fan of the winter holidays. Lots of bad childhood memories abound, and the crass commercialism turns me off. The holidays also take a lot of time away from writing, but family is family. I’ll do the shopping, I’ll wrap the gifts, and I’ll take delight in watching my grandchildren unwrap their presents. As six-year-old Emory says, “It’s about giving not getting.” Love her.
What holiday traditions do you fondly remember? What are those you’d just as soon forget?
Today, Hidden Agendas, the sequel to Who Watches the Watchmen?, launched. Yeah, it’s rather lost in the hoopla over National Novel Writing Month, but I wanted it out before the first anniversary of last year’s election.
These two novelettes aren’t exactly historical fiction but more current events or… How about “current political thrillers”? That works.
Both novelettes were certainly cathartic for me to write, and I hope they are for the readers, too.
If you’d like to take a look, go to my Amazon Author Page, and you’ll find them there.
Celebrating The Yellow Scarf
The Yellow Scarf was one of my first novellas, and Facebook just reminded me it came out two years ago.
This novella started out as a 5,000 – 6,000 word short story, which I workshopped at Tinker Mountain Writers Workshop. My fellow writers in the workshop and its instructor, Edgar-Nominated Laura Benedict, suggested that it needed more backstory, that perhaps it was too much of a story for a short story.
Armed with their suggestions, I added the backstory, beefed up a character, inserted the imagery of a yellow scarf throughout, and extended the story over the period of a year. The result? A novella based on real events in the Balkan Civil Wars. It’s a story I’m particularly proud of and am glad it’s out in the world.
To celebrate its second birthday, The Yellow Scarf will be on sale for 99 cents Friday only. Again, go to my Amazon Author page (link above) to have a look and buy a copy if you like.
It’s NaNoWriMo Time!
It’s the mad month of November where several hundred thousand people around the world write a 50,000-word novel rough draft in 30 days. Crazy, right? But we’re writers, so it’s expected.
I guess you could say the novelettes, Who Watches the Watchmen? and Hidden Agendas are prequels to this year’s project, A Squalid Procession of Vain Fools. Again, this will be a current events political thriller with some family angst mixed in, just to make it interesting.
This will be my 10th NaNoWriMo, and this year I’m a co-municipal liaison for the Shenandoah Valley region. My municipal liaison and I have lots of online and in-person events planned, and if you’re local to Virginia’s Shenandoah Valley, come join us. Check out our Facebook page, Shenandoah Valley Wrimos, for times and places.
I kicked us off last night right at midnight with an online write-in, and, boy, I was up way past my bed time! But it’s great fun with great writers.
I’ll also be occasionally posting about my project here, including some (unedited) excerpts, but if you follow me on Instagram (@paduncan1), you’ll see some NaNoWriMo-related graphics along with my other posts.
If you’ve never tried NaNoWriMo, give it a go. No pressure. Well, there is pressure: 50,000 words in 30 days, but for a type A personality like me, bring it on!
A couple of weeks ago, I teased the cover of the upcoming sequel to Who Watches the Watchmen?, and now, it’s time to show the whole thing!
And here it is, the cover for Hidden Agendas!
Lots of secrecy and hiding implied there. I found the graphic of the hand and eyes on pixabay.com, where you can download and use public domain images for limited commercial use.
I’m no graphic artist, but I’m becoming more adept at using Canva to design covers for some of my smaller work. For my upcoming series of novels, A Perfect Hatred, I’ll be using professionals!
Pretty cool, and even more exciting is it should be ready for pre-ordering for your Kindle by Monday, October 16, 2017.
As I explained in the previous post, this sequel details a significant change for The Directorate. I didn’t know it at the time I wrote it, but Hidden Agendas perfectly sets up the story I want to write for this year’s National Novel Writing Month.
This year’s NaNoWriMo project has a working title of A Squalid Procession of Vain Fools.
I love it, right? But where does it come from, you ask?
I recently finished re-reading John Le Carre’s The Spy Who Came in from the Cold. Toward the end of the book, the protagonist, Alec Leamas, is having a heated discussion with his former lover, who questions the ethics of spies. Taken back by her naiveté, Leamas says,
“What do you think spies are: priests, saints, and martyrs? They’re a squalid procession of vain fools, traitors too, yes; pansies, sadists, and drunkards, people who play cowboys and Indians to brighten their rotten lives.”
That second sentence stood out for me, and I decided it was a perfect working title.
What do you think?
And if I have a working title, I should have a working cover, right?
This cover holds a certain amount of symbolism as well. The final scene of The Spy Who Came in from the Cold takes place at the Berlin Wall in the 1960s. The public domain image I used for the cover is a portion of a photo of graffiti on the Wall before it came down.
I’m ready for November!
Some Characters Return
In 2012 I wrote a piece of flash fiction, which was well-received on a site where I posted short fiction in response to a photo prompt. The flash fiction piece was about a young woman hiding the body of a baby in the wall of a half-finished house. Almost every commenter said, “You have to tell the story of how that happened.”
In November 2012, I did, and the result was Supreme Madness of the Carnival Season, a literary novel about a successful author (so, not autobiographical) and her husband who find a baby’s bones in the wall of a room they’re renovating. The author, who’d suffered a stillbirth some years before, wants closure for the abandoned baby and sets out to find who put the baby in the wall.
The novel’s working title was “Amontillado,” from Edgar Allan Poe’s story, “The Cask of Amontillado,” which involved burying someone alive in a wall. As the story moves back and forth in time between roughly present day and 1944, the author has to face reality about her life and her marriage, but the twist comes when she discovers whose baby ended up in her wall.
I intended for it to be a standalone, but as someone who beta-read the MS pointed out, I left something hanging.
For NaNoWriMo 2016, I brought some of the characters from 2012 back, put them solidly in 2016–more or less–and had a new secret dumped in the lap of the author, another mystery for her to become involved in.
This one is more of a “real” mystery–I think–though like Supreme Madness the death in question occurs some years before, it’s pretty obvious who did it, but there’s a twist at the end.
This year’s working title is, Mournful Influence of the Unperceived Shadow, taken from a line in another Poe story, “The Tell-Tale Heart.”
Yeah, I have a Poe thing. In fact, he watches over me as I write.
Hitting a Brick Wall (No Pun Intended)
Romance author Margaret Locke got me to read not only one romance but now two, both of them hers. I reviewed Locke’s debut novel, A Man of Character, in this post from several months ago. Now, Locke has released the next in her series, A Matter of Time, a Regency-era, time-travel romance.
Talk about genre mash-ups, but this works. No sophomore slump for this romance author whose work turns formula on its head.
A Matter of Time tells Eliza James’s story. Eliza is the character from A Man of Character who wanted her best friend, Cat, to use her magic, medieval book to send her back to the period of her literary idol, Jane Austen, and into the arms of a duke. We’ve seen in A Man of Character that Cat’s magic works, and Eliza finds herself in Regency England at the estate of Deveric Mattersley, a handsome duke with a tragic past and an interesting family. Eliza finds out that, of course, wishes and reality can be two very different things. How she overcomes being a fish out of water, or, rather, a woman out of time, and how her duke overcomes his fear of commitment makes for an engaging read.
So, let’s find out a little about Margaret Locke.
Romance Reader at Ten
A lover of romance novels since the age of ten (shh, don’t tell mom!), Locke declared as a teen that she’d grow up to write romances. Once an adult, however, she figured she ought to do grown-up things, like, oh, earning that master’s degree in medieval history, not penning steamy love stories. Turning forty cured her of that silly notion. Locke is now happily ensconced back in the clutches of her first love, this time as a definite up and coming author as well as a reader.
Margaret lives in the beautiful Shenandoah Valley in Virginia with her fantastic husband, two fabulous kids, and two fat cats. You can usually find her in front of some sort of screen (electronic or window); she’s come to terms with the fact that she’s not an outdoors person.
Me: A Regency-era, time-travel romance—wha? Seriously, how does that work?
Locke: Uh, that depends on whom you ask. For me, it was simple: Jane Austen-loving, romance novel junkie Eliza James’s best friend Cat has a magical manuscript that can bring love interests to life. Eliza thinks this is the greatest thing ever and asks for her own personal romance hero in Regency England, since it’s the era she’s loved for so long. Cat figures, what the heck, if she’s got the power to do one kind of magic, maybe throwing time-travel into Eliza’s story would work, too. And, lo and behold, it does!
But really, the long and the short of it is, a modern-day Jane Austen fan finds herself in Regency England, through * jazzy hands * MAGIC! * jazzy hands*. That’s the power of fiction, folks.
Me: You’ve alluded to the fact that this is Eliza’s story, but what do you think was Eliza’s biggest challenge of one second being in modern times and the next in an era she’s studied but only fantasized about until now?
Locke: Truly comprehending the difference between fantasy and reality. It’s one thing to read about chamber pots and class systems and roast turtle and serious restrictions on women. We think we can comprehend them, but I have the sneaking suspicion that unless we’re there, in the thick of everything, we can’t.
The same is true for Eliza. She wants to imagine it all Jane Austen and FitzWilliam Darcy, but real life in Regency England, like real life now, is so much more complicated and layered than any novel or movie can ever portray (and of course I didn’t include numerous things I could have, given I was writing a happy romance, not a gritty tell-all.)
Plus, Eliza suddenly realizes just how much a fish out of water she is, for no matter how much she’s studied the culture, as anyone who lives in a foreign country experiences, she soon realizes there’s so much she never knew about, or hadn’t fully considered, or wanted to pretend she didn’t have to deal with.
I remember feeling that way when I lived in Germany: similar Western cultures, and, yet, there were things I experienced there I never learned in all my studies of the language and the country, and never could have “gotten” without actually being there, such as nuances of humor. I imagine the same is true for Eliza venturing to a different time period, probably even more so.
Me: What was your greatest challenge, as a writer, in putting a modern woman 200 years in the past?
Locke: Wanting to make her believable, both to her Regency peers, and to a modern reading audience. It’s actually a little easier to stick a modern woman back into Regency times in some ways. She can behave as independently as she wants, and it rings true. Whereas, as much as we love the kick-ass heroines dotting many a Regency romance novel, and while there were strong, independent, feisty women in that period, the reality is the restrictions placed on women were more stringent than they are today and a far cry from what many 21st century women would accept.
The other biggest challenge was getting the historical details right, and I’m sure in spite of my research, of reading books and scouring blog posts and querying members of RWA’s Beau Monde, that I still got some things wrong. It’s not my culture, my language, my time.
On the other hand, I could write a depiction of modern society someone else would view as completely skewed or wrong because everyone experiences the world through his or her own lens, in different ways based on upbringing, experiences, etc. Therefore, I’d like to think as long as I get most of the details right, the rest falls under artistic license. 😉
Me: In contrast to your first book, A Matter of Time has a large and complex cast of main and supporting characters. How did you keep them in line, i.e., getting them to “wait” for their stories to be told?
Locke: I’m not sure I did! In truth, I’d sketched out the Mattersley family before I’d even finished writing my first (at that point unrelated) book, A Man of Character (Eliza’s character arc and subsequent travels were a later addition!). I’d always known I wanted to write Regency romance and that I wanted to write a series about siblings in the vein of Sabrina Jeffries, Julia Quinn, and Eloisa James. So I made up a cast of characters and even tidbits about what, and when, their stories might be. I tried to drop small hints in the pages of A Matter of Time, alluding to future stories. We’ll see if I did so effectively.
At one point in the revision process, I did end up drafting a spreadsheet listing each character and important information about them, because I worried I was repeating or omitting things. Hopefully, I struck the right balance.
And, well, Deveric’s two sidekick friends, James Bradley and Morgan Collinswood, were late additions, stuck in during a moment of NaNoWriMo lunacy, and then developed further because I fell in love with them!
Me: I know this book introduces characters, who will appear in later works dedicated to their stories. That’s fun, but it has to be scary, too?
Locke: Absolutely. I’m wondering if I’ll be able to keep all the information from the previous stories straight, if I’ll get it right in future stories, if I’ll be able to keep dropping hints about the various other tales in the stories to come. I may have bitten off more than I can chew, but all I can do is move forward. I’ve read the masters, I know how successfully they’ve done this, so when in doubt, I’ll go back to the sources, the Triumverate of authors mentioned above, and study up again.
The key, I think, will be making more of those character spreadsheets, to try to keep everyone and everything straight. On the other hand, I believe it’s Julia Quinn who laughs about how one heroine’s eye color changes three times over three different books. So, well, there’s potential room for error, right?
Me: What was your greatest fear, again, as a writer, for the publication of your second novel?
Locke: That people won’t like it. I’ve been delighted and surprised by the positive response to A Man of Character. I can’t believe how much some readers have raved about that story. So the question is, can I do it again? Will those readers follow me along to a new story set in a different era, a romance that’s more traditional in structure/plot? Or will I hit sophomore slump, lose readers, and have this be the end of my career?
The fear is still there, every day.
Me: What about the second novel was easier? Harder?
Locke: I think I felt more confident in my ability to actually complete the sucker, and it felt easier to be following a more familiar pattern. I won’t say formula, because that has negative connotations, but like any genre novel, romance has familiar steps in the dance, points at which certain types of things happen, etc. With my first book, since it wasn’t a typical romance in terms of having the hero identified from page one, I flailed about a bit more while figuring out how to structure the thing. A Matter of Time was easier, in that regard.
Harder, again, was the fact that I was suddenly writing a historical novel, and even though that’d always been my plan and is what I want to do, it was daunting to realize just how challenging getting the history “right” (or at least “right enough”) is. It’s one thing to read historical fiction; it’s quite another to write it, and as a trained historian, all I can think is, “I’m missing details, I’m leaving stuff out, I’m probably getting this wrong!”
Luckily for me, I wrote the first draft of this novel well before A Man of Character was published, so though I’m frightened now of its reception, I wasn’t frightened when I wrote it. Which is a good thing, since I’m in the middle of writing book three, A Scandalous Matter, and am painfully aware that the thing is a big old mess, but one that I’m going to have to figure out how to fix and get into shape enough so that people will want to read it, because people are already telling me they want to read it!
Me: What about the second novel has surprised you, compared to the first?
Locke: The second novel, while it has its moments of levity, too, has a few plot points that are more serious in tone. Both Eliza and Deveric have experienced great losses, and those losses come into play, influencing thoughts, emotions, and actions at various points in the story. So I wrote some scenes that were, for me, heart-wrenching, more so than anything I wrote in A Man of Character. I don’t mind that; I want my novels to evoke feelings, though I hope to keep the fun, witty verbal exchanges that delight me so much!
Me: Is the whole novel-writing/editing/revising/publishing process somehow easier the second time around? Do you anticipate each successive novel will be easier or harder?
Locke: I’m guessing certain parts will get easier and certain harder. I hope, with each successive novel, to do a better job from the start in constructing a solid story, so that revisions are less extensive. If I’m studying my craft and learning from my mistakes, this would seem to be a natural progression. Please, let it be so! I don’t like editing. Not that I’m saying I’ll ever write a perfect first draft, no one does, but I’d like to feel I’ve gotten the elements (character development, plot, emotional arcs, etc.) more in balance from the beginning.
On the other hand, I fear the pressure will mount. I now get why published authors say it never gets any easier. I used to think, “What do you mean? You’ve got thirty books out! Surely by now you realize how good you are!” But I think what they mean is, every new book is a chance for failure, for rejection, and that’s scary. We all know famous movie stars who’ve made flop movies, which have changed our perceptions of them. Nobody wants to be a flop writer.
Me: There’s a sweet little Easter Egg toward the end of A Matter of Time about Jane Austen. Was that fun to include or a little tear-jerking?
Locke: Both! I really, really loved how that scene came together, though I fear true Austenites might challenge my portrayal of certain people/things. It makes me giddy every time I read it. And yet, well, in 1812, Jane Austen only had five years left to live, and Eliza would have known that. That part made me sad but not sad enough to cut the scene. It is one of my absolute favorites.
Getting in Touch
Locke likes connecting to her readers, so if you’re not already following her on various social media or subscribing to her newsletter, and you should, here is how you can connect:
Both of Locke’s novels are available as paperbacks and ebooks from Amazon:
Fifty thousand words in thirty days. A challenge to be sure. I hit 50,000 words on Day Twenty but continued for the rest of the month to complete a rough draft of the novel. That meant going back and filling in scenes I’d only made notes about and adding some back story to flesh out the characters.
Then, after thinking this was so far out of the cannon I’d established for these characters, I went back and bookended it with an opening scene and closing scene (let’s not call them prologues and epilogues) so that it could drop into the cannon I’d created.
The final word count: 73,956 words. (I always was an over-achiever.) The fun part will be in the editing to see if I add to that or cut mercilessly.
I got so much support from several online writer groups: Shenandoah Valley Wrimos (great in-person and online write-ins!), SWAG Writers, and NaNoWriMo Divas.
Of course, the rough draft only has a working title, A Future Stretching into Infinity, (yes, different from the one in the photo; I’ll make the change) and it’s yet to be determined if I can write romance. (Beta readers are going to let me know in January.) Overall, once again, I had great fun, with the writing, with the interaction with other writers, with the concept of plunking butt in chair before the computer and writing every single day.
Not to mention NaNoWriMo gives me a fresh, rough draft of a project to work on in the new year.
Am I glad it’s over? Yes.
Am I sad it’s over? Yes.
Will I do it again next year? Of course!
And a little P.S. here. For people who wonder why we do this or what comes of the drabble we write for those thirty days: We edit, we revise, and, on occasion, we start all over again and rewrite. What could possibly come of that, you ask? Consider this: I have two manuscripts, which began as NaNoWriMo rough drafts (one three years ago, one four years ago), now with a publisher, who is reviewing them. Look for some news (positive, I hope) on Wednesday afternoon.
It’s always a defining moment when you reach the point where you type “The End” at the bottom of a manuscript. Especially in NaNoWriMo, you’re happy and you’re sad, and, more importantly, you know it isn’t the end. Not really.
After NaNoWriMo comes editing, revising, cutting, inserting, moving chapters around, taking chapters out, or even the dreaded re-writing. For me, because this romantic thriller or thrilling romance genre is so new to me, I’m going to turn first to beta readers familiar with the romance genre and get an indication of whether I should even bother. If I don’t have what it takes to write a cogent romance; then, I’ll go back to my plain old thrillers. We’ll see.
But it was fun, a lot of fun to turn characters on their heads, to muck around with their established back story. Hey, if it works, I can always change the character names and query agents who specialize in romance.
Now, because people have been reading snippets of the work on a Facebook group and here and who were aghast I killed off the male romantic interest, this should make you feel better:
The reception area of the clinic was empty except for Ekaterina Bukharina, in her doctor’s lab coat now. Such a place on a large, busy collective should be packed with minor injuries and illnesses.
Mai turned on Natalia when they entered. “Look, enough of all this subterfuge. If I don’t find out what is going on here, why you brought me here right now, I’m leaving,” she said.
Ekaterina put a hand on Mai’s arm. “Come with me, and everything will be explained,” she said.
Ekaterina led her down a hallway to an examining room. She held the privacy curtain aside and motioned Mai to enter.
Not caring that the woman saw, Mai drew her gun, brought it up to the ready, and went inside.
On the bed amid tubes and IVs and monitor leads, Alexei lay, thin to the point of gauntness, his head shaved but sprinkled with scabs and scars, his skin showing he hadn’t seen the sun in a long time. Those eyes, those incredible, blue eyes shifted toward her, moisture leaking from their corners.
What was it Olga Lubova had said? That Mai would find what she’d lost.
“So,” Alexei said, “deduskha, are you here to kill me or kiss me?”