Interview–Debut Romance Author Margaret Locke

MLHeader2Debut romance author Margaret Locke has a great novel out, A Man of Character. I’ve reviewed it, and you can click here to read the review or click on the “Book Review” tab above and select it from the drop-down menu. Below is a refreshing interview I conducted with Ms. Locke. Authors of any experience level can relate to her experience–and her joy at seeing her first novel in print.

PD: You’ve spoken in other interviews about your agent-querying marathon, so we won’t go into that here, but what was most appealing, artistically, about indie publishing for you?

LOCKE: I did want that brass ring, you’re right. I wanted it desperately, as “proof” I was good enough. But I realized the brass ring came with encumbrances that seemed more detrimental than beneficial, especially after I listened to other authors share their experiences. The idea of not controlling my publishing schedule, of not having final say over edits, over cover art, over the title of my book—I couldn’t imagine it. Many traditionally published authors also told me they have to do nearly all their own publicity. Not as much control, smaller royalties, and still having to do all the promo? Indie publishing suddenly sounded much more appealing.

I’m so happy I chose this path. I admit, I felt I’d failed, at first, in not securing an agent, and that publishing on my own was somehow lesser. I’ve come around on that idea 180 degrees. Now I relish being completely in charge of my own career—for better or worse—and the creative freedom that comes with that. If I want to write a series in which the first book is a light paranormal romantic comedy, the second a time-travel romance, the third a straight Regency tale, I can. And, uh, I have. It’s a joy to have such freedom.

PD: Regency is a popular setting for romance writers. What’s your strategy for making yours stand apart in a crowd? And, without using the words, “Fitzwilliam Darcy,” what appeals to you about that era as a setting?

LOCKE: Oh, gosh. I have to have a strategy? I do hope my sense of humor brands my books as mine. I’m also partial to quirky, flawed characters. But those things don’t mark me as special; most authors incorporate those these days. Most authors also write series in which characters are interlinked, so I’m not treading new ground there. However, I plan to take familiar tropes and spice them up a bit, do a few unexpected things, have fun with the genre and its expected conventions.

As for what appeals about the Regency—I wish I had an answer. I think that era is a period in time that feels at once familiar and distant. Familiar, because it’s not all that long ago, relatively speaking. Many people, I’m guessing, can more readily envision Regency England than, perhaps, ancient Greece or medieval Germany. And distant, because social structures and social mores have shifted over the last two hundred years. With the Regency, we get a society we can understand fairly easily, overlaid with the whole fantasy element, that romantic idea of Once Upon A Time, especially since the Regency period is known for its grand balls and dukes and barons—all elements familiar to most modern folk from fairy tales we heard growing up.

PD: Describe your writing process. What do you keep around you for inspiration?

LOCKE: My writing process is erratic and not what it needs to be. Random thoughts, plot points, character ideas, snippets of dialogue, hit me at the most inopportune times (just before drifting off to sleep, while out running errands), and I’m frustrated that I don’t capture more of those thoughts (although I am finally using the iPhone’s voice memo option!).

I wish I had a more structured schedule to which I adhered. I always plan on that, but life (and social media) get in the way. However, I’ve long known I work best in the morning, and I work best when I can have a two-hour (or more) time period in which I know I won’t be interrupted. When that happens, I can ensconce myself in the Writing Cave and write—sometimes with inspiring instrumental music playing in the background, other times in silence. When I’m in the zone, I don’t need anything around me for inspiration, because I’m so lost in my own alternate reality that I don’t notice my real life, anyway.

PD: You’ve indicated A MAN OF CHARACTER is book one in a series of five (or six?) What are your plans beyond that, or is that thinking too far ahead?

LOCKE: I don’t know exactly how many books will be in the Matters of Love series. I suppose I should nail that down, but every time I decide I’ve thought of all the characters and stories I want to include in that series, something else pops up, and I think, “Oh yeah, I could write a story about that!” I do have eight potential books loosely sketched out, but I wouldn’t be surprised if secondary characters from those novels demand their own stories. After that, we’ll see. I recently discovered some ideas I’d written down years ago, when I was in my 20s, and a few aren’t half-bad. Then there’s a whole flip-the-fairy-tales-on-their-heads set of ideas that I’ve loosely planned out. I could be writing for a very long time.

PD: What would you say to someone who doesn’t normally read romance to get them to try A Man of Character?

LOCKE: I’ll bake you cookies. I’ll massage your feet. I’ll clean your house for month. No, just kidding. (You wouldn’t want me as your housekeeper, anyway, given the state of my own house.)

I do claim AMOC is not a typical romance, and yet I don’t want people to think I’m trying to distance myself from the genre. Exactly the opposite. I love romance and would love to encourage people to give a well-written romance novel a shot. They’re so much more than the stereotypes. Is a relationship at the center of a romance? Sure. Is the Happily Ever After a requirement? Absolutely.

But romances are no more formulaic than any other genre fiction. (Can’t write a mystery without solving it, right?) Romances tell women’s stories (or gay/lesbian/transgender stories—there are subgenres for everyone). The hero is crucial, of course. You can’t have a decent romance without an enticing (albeit flawed) hero.

But it’s the heroine with whom we as readers most closely identify, I would argue. It’s she we want to see overcome a variety of obstacles, she we want to achieve self-satisfaction—within and outside of the central relationship. Romance (most of it, at least) provides that. Much romance is much more feminist than most people realize: a story in which the woman’s journey is central? In which her emotional and sexual satisfaction are legitimate, worthy, and expected goals? Yes, please.

I don’t know if that answers the question, so I asked my husband what he would say. (He read the whole book in one day.) His answer? “Tell them they might just enjoy the story and might learn that some of the things they thought about romance were wrong.”

Yup. What he said.

PD: What are some words of encouragement to would-be authors out there, in any genre?

If you want to write, write. Don’t let anyone tell you you can’t. That doesn’t mean you shouldn’t study the craft and learn the ins and outs of your intended genre. You should—if you plan to put your work out for public consumption, at least. But don’t let the Eeyores drag you down. Keep writing. Keep reading. Join a critique group. Find some beta readers. Go to conferences. Get to know authors on social media.

OK, well, those are all the things I did. I don’t know if they work for everyone else. I think the biggest thing is, write if you want to. It might take a while to find the right writing community for you, but keep seeking one out. Sabrina Jeffries told me, “Don’t write in a vacuum.” I 100% agree. Find your groove, and find your group, and don’t give up.

PD: Describe your book launch day, i.e., for those who’ve never experienced it; the emotions, good and bad. Was it everything you expected and hoped for? What will you do differently next time?

It was amazing and surreal, exhilarating and exhausting. There had been some build-up: the first time I saw my book’s listing on Amazon, the first time I held a copy in my hands. (Yes, I shrieked and hopped up and down both times.) But to know on launch day that my baby (warts and all) was out there for all to see—and potentially criticize—was terrifying and elating, at the same time.

If I had to do it all again, I would’ve done more promo prep before launch day. I probably should have contacted book bloggers. I could have created more visual memes. I might have had all the potential excerpts and quotes and promo posts already drafted. I didn’t. But I had fun anyway. And I’m doing some of those now, hoping that “better late than never” still applies.

Confession: I also don’t want to be strung out on chocolate on my next release day. It was such a whirlwind week, I’m not surprised I fell face-first back into the sugar. By actual release day, I was a mix of exhausted and over-sugarfied. Not really a good combo, on Launch Day or otherwise.

PD: You’re barely taking a break, in that your next book in the series comes out in the fall. Give a brief sketch of what it’s about, and dare we hope it involves Eliza and her duke?

LOCKE: The only reason the “break” is so short is that I have the second book already written. (Thank you, NaNoWriMo 2014!) It needs heavy editing, but the basic parts are there, so I think (I hope!) my late fall deadline is workable. And yes, it most definitely involves Eliza and her duke. In it, I introduce you to the Mattersley family—the family around which all my original story ideas were based, before Cat leapt into the picture. I hope y’all have fun reading about Eliza’s struggles to come to grips with what it actually means to live in a different era and to deal with a man who doesn’t necessarily agree that he’s her soulmate.

PD: In your “Acknowledgements” section, you included your writers group, Shenandoah Valley Writers. How are writers groups important, in general, and, specifically, how did yours help you?

LOCKE: How did it not? To be a part of a writing community, to put myself out there and call myself a writer, was one of the greatest feelings ever. I was doing this. And I was doing it publicly! To hear about others’ struggles, successes, strategies, systems…all have helped me grow in my own process. I’ve met amazing people and developed incredible friendships. We’ve gotten together in person. We’ve cheered each other on, helped each other up, told the world about each other.

In fact, it’s hard to remember life without all these writer people in it, and yet that was the case just, what, two years ago? Three at most. Surrounding myself with people who love what I love is amazing! (Even if it bores all my other friends to hear me talking writing all the time. Sorry, guys. I’m trying to find balance.) So thank you, Maggie. Thank you, Rebekah, Annika, Tamara, Foy, Taryn, Allison, Sydney, Morgan, Lindsey, Josette, Christy, Sara, and Audrey. (Eek! I’m sure I’ve forgotten people!) Thank you to the Flash Friday community. Thank you to the writer friends I’ve met online. Y’all are amazing. And you brought me to this place. I’m sure that if I were going this alone, I would not be published.

The first time I joined a critique group, I was terrified. The first time I put myself in the hot seat and let people critique my work, I thought I was going to throw up. And yet I could see how valuable it was to get multiple sets of eyes on my work, to hear from them what worked and what didn’t, whether or not I was on the right track, etc. So find a writing group, find beta readers, but also find a critique group. It might take a few tries to find a group of people with whom you click, with whom you feel safe, a group that has the same approach when it comes to critiquing (I value positive, uplifting interactions, even when giving suggestions for improvement). But it’s worth it.

PD: Finally, what would you like to say–anything at all–on becoming a published author?

It’s surreal and exciting and…surprisingly not all that different from my life before I was a published author. Am I part of the club yet? It doesn’t feel like it. I still wrestle with self-doubt, still wonder if I’m good enough, still fret over whether I’m doing it right (whatever it is: writing, editing, promo). Sadly, I haven’t made a bazillion dollars. I still have laundry to do and meals to cook. My kids still squabble. I still have to grocery shop and serve as Taxi Mom and deal with my own character faults.

Rats. I was kind of hoping once I was published, I’d hit glamour status. Nope. Now I’ve got the pressure to write the next book, and the fear it won’t be as good as the first.

I guess that’s all normal.

But what do I also have? The unbelievable, nearly indescribable feeling of accomplishment. I said for years I was going to write romance. I finally did. I really did it.

You visit Ms. Locke’s blog and sign up for her newsletter by clicking here. You can purchase A Man of Character on Amazon.com

Post-Workshop Let-Down

It doesn’t take long. A weekend, in fact. You spend five solid days and nights immersed in writing with other writers, and the workshop becomes a routine, something you wake up and look forward to each morning. Then, the week comes to an end, you pack the car, turn in your room key, eat the final meal with people who’ve become family, and go home to face the reality of day-to-day writing.

In the midst of a scene, you turn to ask one of your workshop-mates if something will work, and you realize you’re all alone now, in your writing cave, with only The Google for company. And, well, you miss hearing how great your writing is.

Let’s face it. You learn a lot in a workshop, mainly how other people perceive the words you’ve decided are golden and untouchable. When the emphasis is a positive experience, as it is at Tinker Mountain Writers Workshop, you definitely get the praise, but you also understand what you need to work on to improve your writing. You come away feeling good about yourself and your writing, no matter your level of experience. That daily dose of “I really liked how you…” becomes addictive, and you crave it once you’re home and don’t have anyone telling you how good you are.

And that’s a good thing, because as with anything, complacency will ruin your writing.

 

Post-workshop, you feel as if you’re writing in a vacuum without those voices saying, “What did you mean here?” You know, the questions you never ask yourself while you’re in creative mode. A workshop goes beyond beta readers or a critique group. Your betas and your critique group members become accustomed and somewhat inured to your style, your characters, your writing. A workshop puts fresh eyes on your work, scrutiny that can put a spotlight on weaknesses you’ve missed.

Now, it does require a leap of faith to put what you’ve sweated blood over in the hands of strangers for them to vivisect while you sit there unable to say a word. I make it sound like a nightmare, and it is daunting; however, you will be a better writer because of it.

But, in the week following the workshop, you can’t help but think, Wow, this time last week, we were going over my short story, or, Was it just a week ago we sat around the lounge and debated the worthiness of James Joyce (uh, no debate there). You miss the company of writers; you miss your family; you miss the challenges they offer you. You lament that you’ll have to wait a year to do this again.

Somehow, you’ll muddle through.

Book Launch!

MNE FCFlight Controller: 10, 9, 8, 7, 6, 5, 4, 3, 2, 1. We have lift-off! Lift off of Phyllis “Maggie” Duncan’s very first novella, MY NOBLE ENEMY! Ask yourself, what would you do if your best friend came to you and told you he was dying? You’d pretty much drop everything to care for him, even if it brings up old slights and opens old wounds. Most of all, you’d want the end to be peaceful.

MY NOBLE ENEMY is not my typical historical thriller. Rather, it’s a love story on many levels–what friends will do for each other, supporting a spouse even if you don’t agree with his or her actions, and a bit of young love in, of all places, the red-light district of Amsterdam. Yeah, you know I had to be a little salacious. If you pre-ordered a Kindle version of MY NOBLE ENEMY, it will arrive TODAY! And if you’d like your Kindle version “signed,” go to authorgraph.com, look the book up, and submit a request for a virtual autograph. If you’re looking for a paperback copy, you can order one from Amazon.com–oh, if you buy a paperback, you can bundle the Kindle version at a bargain price. I hope you enjoy MY NOBLE ENEMY.

Tinker Mountain 2015 – My Writing Tribe

The countdown calendar to the right of this post indicates that, as of today, I have seven days to go before the 2015 Tinker Mountain Writers Workshop. I find it amazing this is my fourth one! Three years ago about this time, I was having big second thoughts. For one, I’d never had my work critiqued by strangers, much less a well-respected, actual writer who was my workshop instructor. To say I was a nervous Nellie would freshen that cliché.

But 2012 was all positive with the incredible Pinckney Benedict; 2013 was amazing with the insightful Fred Leebron; and 2014 was an eye-opening experience with a master of genre writing, Laura Benedict. So much so, I’m re-taking her workshop this year, and I hope what I’ve submitted embodies everything I learned from her last year.

As critical as the workshop is now to my writing, the making of writer friends is, in some ways, more important. I have a circle of extremely talented writers who’ll beta-read what I’ve done and point out exactly what I need to do to make it better. More importantly, because we have that shared workshop experience, I respect their opinions. There is no sense of competition; just genuine, meaningful critique. What more could you ask for in a writing workshop?

So, today, I’m positively giddy. I can’t wait for Sunday to get here to head the loaded car south to Roanoke, set foot on the absolutely gorgeous campus of Hollins University (an inspiration in and of itself), and see my writing tribe.

Oh, and, I might get a writing themed tattoo while I’m there. Gasp!