The writing project which has obsessed me for the past six weeks to two months is a rewrite/revision of the first book in a series I’ve planned entitled A Perfect Hatred. If you go to my brand new author website to the Works in Progress tab, you can read a synopsis of each book in the series.
This is a project I’ve worked on since 1997, when I happened to be in Oklahoma City when the trial for Timothy McVeigh ended in Denver. I became intrigued by the rabid hatred of this man, perhaps well-deserved for his horrific act, but I wondered if there were more to the story. As I researched, I saw that his story of how he came to be the Oklahoma City Bomber would be a great vehicle to discuss, through fiction, a political movement I’ve long believed to be a clear and present danger to the United States.
Of course, this draft novel started out as one book, a collection of widely disconnected scenes in reality. As I researched and added my fictional version of real events and provided the transitions between scenes, it swelled to nearly 200,000 words. I split it into two books, did more revising and more writing, and ended up with nearly half a million words over three books. Too much. Way, way too much.
A writer friend told me not to worry about it because people don’t have a concept of page numbers in e-books, but, no, it was way too bloated. About three years ago, after having another friend, who is a PhD candidate in English, read it, I began another revision, starting with book one, which I pared down to about 140,000 words. Overall among the three books, I probably cut nearly 300 pages.
And it still wasn’t enough.
I further split it into four books, against the advice of the same writer friend who said length doesn’t matter in an e-book. Then, I put it aside for a full year, didn’t look at any of the four books. Earlier this year, I decided it was time to start again with a total rewrite. Instead of importing the Word file of Book One into Scrivener and editing, I split the screen on my MacBook, with the Word file on one side and a brand new Scrivener file on the other, and I started rewriting. Or maybe just writing.
A few days in, and the results weren’t promising. I had pared and cut and condensed a lot, but I’d also expanded some scenes to the point where, when I reached a particular point in the story, I’d ended up adding more than a thousand words overall.
That didn’t bode well. I went back over what I’d added. No, that was necessary because it filled a hole, but I had to resolve to be a tad more vicious in killing my darlings. Now, at two chapters away from the end, I’ve cut whole chapters, reduced lengthy sections of expository dialogue to summaries, and even done the Virginia Woolf “and then time passed” thing. It’s probably going to come in at around 115,000 words. Better, but there may be room for more cutting.
The issue is real espionage involves a lot of researching, a lot of briefings, and a lot of meetings. Even in light of all its flaws in stretching the truth, the movie “Zero Dark Thirty” is a prime example of how it works: Sometimes it takes years, and the needed intelligence comes in by accident or coincidence. Alan Furst’s books are rich in historical detail as well as the painstaking process of being a spy and not getting caught. Some people don’t like getting bogged down in those details, but I feel you do real spies a disservice if you don’t show what it’s really like.
In real life you don’t go to M for a five-minute explanation of the mission over a glass of Scotch. You don’t go to Q for a collection of implausible gadgets. You get a data-dump. As one special forces guy I know once said to me, “You read every scrap of paper you get because you never know which bit of information will save your life.”
In my drive to make my spies authentic, I’m in the tough place of making that mundane information-gathering lifestyle interesting while conforming to the vague publication industry standard that 100,000-plus words are too much.
Give up? Never. Carry on? Of course. Books two, three, and four need to lose the bloat, too.
A busy writing week, this week. On Tuesday evening, I finished a year-long rewrite of my magnum opus, A Perfect Hatred. A couple of weeks ago, I blogged about heading in a new direction with it, but that was really an add-on to the changes I had already decided on some time before. To learn more about what will be a four-book series, click here, or click on the Works in Progress tab above.
I’ve been writing this series since June 1997, and what started out as about 300 pages of disconnected scenes, and after almost as much research as for a master’s thesis, became four, very complex novels, though they do not stand alone. The plan is to begin publishing them next year, culminating in book four appearing in the month of the twentieth anniversary of the historical event that inspired the series.
I also identified four writing contests I want to participate in, and the first one had a due date of next Tuesday, so I began working on a brand-new piece for that. This first contest is to celebrate the fifth anniversary of a great writing space in Charlottesville, VA, called WriterHouse (click here for more information about this wonderful place). Because it’s the fifth, or emerald, anniversary, the contest submissions have to revolve somehow around “emerald.” That was quite a challenge, and I learned far more about that particular gem stone than I ever thought I would, but I came up with something I really like.
Then, I had my usual Monday writing blog post, my usual Wednesday political blog post, plus this, good old Friday Fictioneers. But to go is Friday! Flash, another flash fiction weekly exercise I participate in. Oh, and I forgot to mention, the Rory’s Story Cubes Challenge is back on, so I’m working on the continuation of Spy Flash 2.
Today’s Friday Fictioneers offering, “Post-Modern Ossuary,” is based on a photo of an incredible building in Barcelona, Spain. Even if you don’t read my story, read the one by our Friday Fictioneers maven, Rochelle Wisoff-Fields, to get the history behind both a remarkable photo and a fascinating building.
As usual, if you don’t see the link on the story’s title above, scroll to the top of this page, click on the Friday Fictioneers tab, then select the story from the drop-down list.