I was pretty excited about National Short Story Month (May 1 – 31). Though I don’t consider short stories my first choice in writing (despite the fact my only published book is a collection of them), I read a lot of them. My intention for this past month was to pick 10 short stories meaningful to me and write about each. Because of a cold that knocked me for a serious loop, I only managed three—Harlan Ellison’s “A Boy and His Dog,” Shirley Jackson’s “The Lottery,” and William Faulkner’s “Barn Burning.”
I’ve left you with the impression that I don’t read any modern short stories. Not true. I was working my way up to that before I got sick. Since I can’t cram seven more stories into a single post, I’ll do a quick list of stories and collections I recommend.
First, I’d be remiss if I didn’t mention the Master of Horror, Stephen King, but the story I recommend is considered one of his “mainstream” works: “Rita Hayworth and the Shawshank Redemption.” (They shortened the title for the movie.) A marvelous character story and tribute to, well, redemption.
Agatha Christie, in addition to her many (many) novels, also wrote several collections of short stories involving her best-known characters. The ones I recommend revolve around Miss Marple. Though I always found Miss Marple a little grating on the nerves with her false modesty, any of Christie’s short stories with Miss Marple is a gem—the mystery presented, discussed, resolved so succinctly.
Kurt Vonnegut—I miss him every day—has had several collections of short stories as well. Pick any one of them up, and he will transport you—into the past, the future, someone else’s head, his head. You won’t be disappointed by any of them.
Not because he’s a writer friend of mine but because his collection is so evocative, I’ll include Cliff Garstang’s In an Uncharted Country. (I mention him after Vonnegut because he might not like being so close to King. ;-D ) This is a collection of linked short stories about people and life in a fictional town in the Shenandoah Valley. Cliff links the stories in interesting and provocative ways, and there’s not a disappointment in the bunch.
If you think Vladimir V. Nabokov and your next thought is only, Lolita, think again. He has a large collection of short stories (The Stories of Vladimir Nabokov) that will horrify, intrigue, sicken, delight, and amaze you. You begin to understand how seeing your father murdered in front of you creates an incredible writer.
Ray Bradbury’s “Beggar on the Dublin Bridge” has a hint of the fantasy Bradbury is famous for, but, mainly, it reminds you that opportunities lost can’t be recovered.
Be patient. I’m getting to the women in just a moment.
A literary e-magazine I subscribe to on my Kindle is One Story. Aptly named, it publishes a single story every three weeks. All the ones I’ve read have been excellent and by up and coming writers (which gives me hope I’ll be one some day), but “Filament” by K. L. Cook is a stand-out. If you don’t have or want a Kindle, you can purchase the stories individually as they’re published on the web site (click on the link).
So I don’t let my feminist sisters and brothers down, here are some stories by women writers I’d like to highlight. A lot of these are classics as well, and it’s not that I don’t like modern short stories. A lot of them just don’t give me the “kick in the gut” the “oldies but goodies” do. Oh, they are perfectly structured and punctuated, grammatically flawless, but many are so faultless, they move me only intellectually, not emotionally.
Sarah Orne Jewett – “A White Heron”
Willa Cather – “Paul’s Case”
Edith Wharton – “The Mission of Jane”
Edna Ferber – “The Afternoon of a Faun”
Dorothy Parker – “Big Blonde”
Eudora Welty – “Death of a Traveling Salesman”
Flannery O’Conner – “A Good Man is Hard to Find”
Joyce Carol Oates – “Where are You Going, Where Have You Been?”
Like Bradbury’s “Beggar on the Dublin Bridge,” there are a lot of missed opportunities here—darn that “three-week” cold—but there’s always next year.